Hi everyone — Steve again. Wanted to create this cheat sheet for everyone else out there filming with the BMPCC 1080p. I’m still messing with the settings so will update this as I go along. This was made with OpenAI ChatGPT4o.
Regards,
Steve Addington

Whether you’re run-and-gun shooting or setting up carefully composed scenes, this cheat sheet for the Blackmagic Pocket Cinema Camera OG (1080p) gives you fast, field-tested guidance on settings, looks, and emotional impact.


Conditions & Recommended Settings

Scene TypeISOWhite BalanceShutter AngleND FilterAperture (f/Stop)Emotional Feel
Bright Daylight8005600K180°ND 1.2 – 2.1f/4 – f/8Crisp, neutral
Golden Hour800–12504500K180°ND 0.6 – 1.2f/2.8 – f/5.6Soft, romantic
Indoor Tungsten8003200K180°Nonef/2.8 – f/4Warm, classic
Low Light / Night16003200–4000K360°Nonef/1.4 – f/2.8Moody, cinematic
Action / Motion800Match scene90°ND 1.2+f/4Fast, intense
Solo Emotional Shot8005000K180°ND 0.6+f/2.8Intimate, focused
Run & Gun800Manual or 5200K180°Optionalf/4Natural, raw
Indoor Natural Light800–12505000–5500K180°Optional ND 0.6f/2.8 – f/4Soft, natural

Camera Movement & Emotional Impact

Movement TypeBest ForEmotional Tone
TripodInterviews, locked shotsStable, objective
SliderReveals, smooth motionCinematic, immersive
Dolly InEmotional focusPulls viewer inward
Dolly OutEndings, exitsDistance, detachment
HandheldUrgency, realismRaw, intense

BMPCC 1080p Notes

  • Native ISO is 800. Use 1600 in low light; 400 reduces brightness and noise but lowers dynamic range.
  • Always set white balance manually using Kelvin for consistency.
  • 180° shutter = natural motion blur at 24fps (1/48s).
  • 90° shutter for sharp, chaotic energy (action scenes).
  • 360° shutter allows more light but results in smeary motion—only use stylistically or in very low light.
  • f/4–f/5.6 is clean for interviews. Use f/2.8 or wider for shallow cinematic depth.
  • Use ND filters outdoors to maintain correct shutter and aperture.

Practical Tips

  • Expose to preserve skin tones and highlights, especially in high contrast scenes.
  • Use bounce or diffusion for indoor natural light setups.
  • Don’t rely on auto settings—this is a cinema camera, not a DSLR.
  • Movement should match the emotional tone—don’t add motion just to show off gear.

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